Mikel Urquiza (1988, Bilbao) writes lively, colourful music, where things are not what they seem : every idea hides another one, peripheral elements become central, and what looks serious pulls a face. Fresh and original, his voice has quickly found its place within the European scene, carried by the ensemble Intercontemporain, L'Instant Donné, C Barré, Klangforum, Musikfabrik, Mosaik, Divertimento, and the New European Ensemble at festivals such as Présences, ManiFeste, ECLAT, Acht Brücken, Gaudeamus, in Lucerne, and at the Venice Biennale.

In 2022 he received the Composer prize of the Siemens Musikstiftung and in 2023 the Georges Enesco prize of the SACEM. In 2023-2024, he was the guest composer of Divertimento ensemble, the Meridian Festival in Bucharest, and the Tampere Biennale. In 2025-2026 he is composer in residence at the festival Musiques démesurées in Clermont-Ferrand.

A choir singer all along his youth, he is passionate about voice and shows it in Alfabet, written for Sarah Maria Sun, I nalt be clode on the frolt, for Marion Tassou, Songs of Spam, for the Neue Vocalsolisten, and Howl, premiered by the vocal ensemble Exaudi at the Wittener Tage für neue Kammermusik 2022. In 2021, Ryoko Aoki premiers Chiisana tsubame at the Suntory Hall in Tokyo.

His chamber music pieces, full of imitative writing, bizarre associations, and all sort of tricks, are premiered by first-class partners such as Kebyart Ensemble, which performed Les perfectibilités at Palau de la Musica in Barcelona, Trio Catch, which premiered Pièges de neige at the Cologne Philharmonie, or Quatuor Diotima, which premiered his first string quartet Indicio at the Festival Pontino in Italy, and the second string quartet Index at the Festival Musica in Strasburg.

Mikel Urquiza studied composition first at Musikene (San Sebastian) with Gabriel Erkoreka and Ramon Lazkano, then at Paris CNSM with Gérard Pesson and Stefano Gervasoni. In 2019-2020 he was first mentored by the Peter Eötvös Contemporary Music Foundation, then a fellow of the French Academy in Rome - Villa Medici. His PhD thesis, written within the SACRe programme and tutored by Laurent Feneyrou, is intitled "Music regained: memory at work in musical composition".

His two monographic CDs, Cherche titre (featuring L'Instant Donné and Marion Tassou) and Espiègle (featuring C Barré and the Neue Vocalsolisten), have been enthusiastically praised by the critic and broadcast by the main radios in Europe.